Teentaal at a glance

Teentaal: beats, sections, clap and wave marks, tempo and use
Beats16
Sections (vibhag)4+4+4+4
Clap and waveClaps on beats 1, 5 and 13; wave on beat 9
PatternClap, clap, wave, clap
TempoPlayed in every tempo class, slow to fast (see below)
Often heard inInstrumental accompaniment and tabla solo; the most common taal in north Indian classical music
Also spelledTeental, Tintal, Trital

The Teentaal theka, section by section

The Teentaal theka by section, with the beats in each, the clap or wave mark, and the bols
SectionBeatsMarkBols
Section 11 to 4X · sam · clapDha Dhin Dhin Dha
Section 25 to 82 · clapDha Dhin Dhin Dha
Section 39 to 120 · khali · waveDha Tin Tin Ta
Section 413 to 163 · clapTa Dhin Dhin Dha

Bols are the spoken names of tabla strokes. Where a bol is spelled differently by different teachers, we say which spelling we print in the section below.

Teentaal, the classical taal you will meet most

David Courtney calls Teentaal “without any doubt the most common tal in the north Indian classical system of music”, and notes it is also called Maha tal, the great tal. The names Teental and Tintal are the same taal spelled differently, and Trital reflects its three claps.

The DigiTabla guide says it is the most common taal for both instrumental accompaniment and tabla solo, and, with its even 4-4-4-4 structure, the most accessible for new students and listeners after Keherwa and Dadra.

How to count Teentaal

Say the beats in fours and clap or wave on the first beat of each group:

1 2 3 4  |  5 6 7 8  |  9 10 11 12  |  13 14 15 16

Clap on 1 (sam, X), 5 (marked 2) and 13 (marked 3). On beat 9, turn your palm up and wave instead of clapping: that is the khali, marked 0. In the third section the Dhin bols of the other sections become Tin (Dha Tin Tin Ta), so the bols change at the khali as well as your hand. Beat 16 leads straight back to sam.

Where the sources differ

The bols agree everywhere we checked except beats 12 and 13, the end of the khali section and the start of the last. SwarGanga writes Ta Ta, Courtney writes Naa Naa, and Gangolli writes ta then na. Gangolli adds that the theka is often pronounced “na dhin dhin na” instead of “dha dhin dhin dha”, and that Teentaal is played rather differently at slow speeds. SurRoots shows beats 12 and 13 as Ta.

How fast is Teentaal played?

Researchers measure tempo in matras per minute (MPM), which is the same unit as SurRoots’ BPM: one matra, one beat. In a study of Hindustani recordings, the working ranges were slow (vilambit) 10 to 60 MPM, medium (madhya) 60 to 150 MPM and fast (drut) above 150 MPM. The same paper reports that the Teentaal theka adapts easily to every tempo, so Teentaal is played in all three.

One Teentaal cycle takes 12 seconds at SurRoots’ Slow preset (80 BPM), 8 seconds at Medium (120) and 6.6 seconds at Fast (145).

Practise Teentaal with SurRoots

  1. Press Open Teentaal in SurRoots. The taal menu is already set to Teentaal (16).
  2. Pick a tempo (start with Slow) and press the round play button.
  3. Clap and wave along. Basic keeps a steady theka with no variations; Pro adds variations, fills and a tihai.
  4. Press the tabla’s stop button once to end on sam, the way a tabla player would.

Try this: say the beat numbers aloud for one cycle, then drop the numbers and keep only the clap, clap, wave, clap. If you lose the wave, set Mark Sam with to Manjeera in Tabla settings so every sam is audible.

Open Teentaal in SurRoots

Read the full SurRoots guide, with pictures of every step →

Questions about Teentaal

How many beats are in Teentaal?

Sixteen, in four sections of four. You clap on beats 1, 5 and 13 and wave on beat 9.

Where is the khali in Teentaal?

On beat 9, the first beat of the third section. You wave your hand instead of clapping, and the bols there are Dha Tin Tin Ta.

Is Teentaal the same as Tintal or Teental?

Yes. They are different spellings of the same 16-beat taal. It is also called Trital, a name that refers to its three claps.

The other six taals in SurRoots

  • Ektaal: 12 beats, six pairs, two waves. The taal of slow khayal.
  • Jhaptaal: 10 beats, 2+3+2+3. A medium-tempo taal with uneven sections.
  • Rupak: 7 beats, 3+2+2. The one taal that starts on a wave.
  • Dadra: 6 beats, 3+3. The light-music taal of film songs, bhajans and ghazals.
  • Keherwa: 8 beats, 4+4. The folk-and-film taal, spelled four ways.
  • Deepchandi: 14 beats, 3+4+3+4. Four silent beats and two versions.

See all seven taals side by side →

Sources

Beats, sections, marks and bols checked against these pages on 6 November 2026. Where they disagree, we say so above rather than pick one quietly.

SurRoots: the free online tanpura and tabla →