Keherwa at a glance

Keherwa: beats, sections, clap and wave marks, tempo and use
Beats8
Sections (vibhag)4+4
Clap and waveClap on beat 1; wave on beat 5
PatternClap, 2, 3, 4, wave, 2, 3, 4
TempoNo published range found; varies widely by song
Often heard inFolk, film songs, qawwali, Rabindra Sangeet, ghazal
Also spelledKaherava, Kaharwa, Kherva

The Keherwa theka, section by section

The Keherwa theka by section, with the beats in each, the clap or wave mark, and the bols
SectionBeatsMarkBols
Section 11 to 4X · sam · clapDha Ge Na Ti
Section 25 to 80 · khali · waveNa Ka Dhi Na

Bols are the spoken names of tabla strokes. Where a bol is spelled differently by different teachers, we say which spelling we print in the section below.

How to count Keherwa

Two groups of four:

1 2 3 4  |  5 6 7 8

Clap on 1 and wave on 5. Gangolli puts it simply: every variation of this taal is 4+4, with a tali on the first beat and a khali on the fifth. That makes Keherwa one of the easiest taals to count.

Four ways to spell the theka

This is the taal where the written theka differs most between sources. All four have the same shape, four bols in the clap half and four in the wave half, and differ only in a few bols and in spelling:

The Keherwa theka as four sources write it
SourceBeats 1 to 4Beats 5 to 8
SwarGangaDhaa Gi Naa TiNaa Ka Dhi Naa
CourtneyDhaa Ge Naa TeeNaa Ka Dhin Naa
GangolliDha ge na tena ka dhe na
DigiTablaDha Ge Na TinNa Ke Dhin Na

DigiTabla goes further: it says there is no particular Keherwa theka you could call the most common in performance, and that there are endless variations by lineage, region or genre. We print a common spelling, Dha Ge Na Ti, Na Ka Dhi Na; the table shows how each source writes it.

Where you will hear Keherwa

Courtney writes that Keherwa may be the most popular taal in northern India. It is widely used in folk music, film songs, qawwali, Rabindra Sangeet and ghazal. He describes it as a taal of the non-classical traditions, and says it is not found in khayal, tarana, dhrupad or dhamar. He also warns that the popularity is a little misleading: the name gets applied to many unrelated four-, eight- and sixteen-matra rhythms, so Keherwa on a recording may mean a pattern quite different from the textbook theka.

How SurRoots plays it

The written sources print one bol per beat. SurRoots instead plays the eight bols at double speed: one pass of Dha Ge Na Tin Na Ka Dhi Na takes four beats, so it plays twice in each eight-beat cycle, as in the reference recording it was modelled on. The beat counter and the clap-wave pattern are as written here: eight beats, clap on 1, wave on 5.

How fast is Keherwa played?

None of the references we checked gives a typical tempo range for Keherwa, and the DigiTabla note that the theka itself varies by lineage and genre suggests it would be a poor guide anyway. Pick the speed of the song you are practising with.

One Keherwa cycle takes 6 seconds at SurRoots’ Slow preset (80 BPM), 4 seconds at Medium (120) and 3.3 seconds at Fast (145).

Practise Keherwa with SurRoots

  1. Press Open Keherwa in SurRoots. The taal menu is already set to Keherwa (8).
  2. Pick a tempo (start with Slow) and press the round play button.
  3. Clap and wave along. Basic keeps a steady theka with no variations; Pro adds variations, fills and a tihai.
  4. Press the tabla’s stop button once to end on sam, the way a tabla player would.

Try this: practise at Medium, counting two to a beat in your head (“1 and 2 and 3 and 4 and”) to match how SurRoots plays it, then try the Pro setting for variations.

Open Keherwa in SurRoots

Read the full SurRoots guide, with pictures of every step →

Questions about Keherwa

How many beats are in Keherwa and where is the khali?

Eight, in two groups of four. You clap on beat 1 and wave on beat 5.

Which Keherwa theka is the right one?

There is no single one. The sources spell it differently, and DigiTabla says no one Keherwa theka can be called the most common in performance.

Is Keherwa used in classical music?

Courtney describes it as a taal of the non-classical traditions: folk music, film songs, qawwali, Rabindra Sangeet and ghazal. He says it is not found in khayal, tarana, dhrupad or dhamar.

The other six taals in SurRoots

  • Teentaal: 16 beats, 4+4+4+4. The most common taal in north Indian classical music.
  • Ektaal: 12 beats, six pairs, two waves. The taal of slow khayal.
  • Jhaptaal: 10 beats, 2+3+2+3. A medium-tempo taal with uneven sections.
  • Rupak: 7 beats, 3+2+2. The one taal that starts on a wave.
  • Dadra: 6 beats, 3+3. The light-music taal of film songs, bhajans and ghazals.
  • Deepchandi: 14 beats, 3+4+3+4. Four silent beats and two versions.

See all seven taals side by side →

Sources

Beats, sections, marks and bols checked against these pages on 6 November 2026. Where they disagree, we say so above rather than pick one quietly.

SurRoots: the free online tanpura and tabla →